I was born a Moslem. I spent the first forty six years of my life believing the Qur'an. I had no reason to doubt anything in the Qur'an until a turning point in my life which I will explain later. A t this pivotal moment in my search for true religious practice I made my own comparative study of what the Qur'an tells us and what the Christian bible tells us. The first thing I found was that the central message of the Christian bible and indeed Christianity, is that God loves us and He commands us to love our neighbor as we love our selves. I don't find any message of Allah loving mankind in the Qur'an. On the contrary, the Quar'an's consistent message that Allah will send all of mankind to hell without regard to the quality of their life here on earth. No where do I see the God I have come to know, the Judaic/Christian God of the bible exalting His people to kill and do other harm to one another in his Name. At the very beginning the Qur'an is flawed because it tells of Allah commanding Mohamed to believe the holy books of the Jews and the Christians, the Old and New Testament. Yet today, if I were to stand in a mosque and proclaim that I believed in the bible I could and probably would be killed just for following the very first instructions Mohamed said he received from Allah. It compels the questions: Which is it?
Over the past several decades, countless wars and terrorist attacks have been perpetrated by various groups and individuals claiming to act in the name of Islam. Yet Western leaders of virtually every stripe and party have consistently affirmed their belief that, despite the violence done in its name, Islam is a religion of peace. The critical question is, who is right? Do Muslims who wage violent jihad against unbelievers fundamentally misunderstand their own religion? Or are Western leaders taking refuge in a comfortable fiction while shielding themselves from an exceedingly difficult truth? With the West engaged in military operations in multiple Islamic countries and with growing Muslim minorities at home, the answer is of critical importance to the future of Western Civilization. Relying primarily on Islam's own sources, House of War: Islam's Jihad Against the World, formerly Religion of Peace? Islam's War Against the World and now available in paperback, cogently demonstrates that Islam is a violent, expansionary ideology that seeks the subjugation and destruction of other faiths, cultures, and systems of government. Islam is as much a system of government as it is a religion, and it seeks to extend its own peculiar legal code, Sharia law, over the entire world. Islamic doctrine divides the world into two conflicting realms, the House of Islam, where Islamic law holds sway, and the House of War, the rest of the world on which war must be waged until Islam is triumphant. The "peace" that Islam seeks is a world united by the Islamic faith and Sharia law in which all others faiths and political regimes have been suppressed or eliminated. "Jihad" is the violent struggle against the House of War world to bring it into submission& (Islam) to Islamic rule. Westerners have been indoctrinated to believe that the jihadists they see on television are extremists who have twisted their religion to serve a violent purpose. In fact, their actions are right out of orthodox Islam and are grounded in the Koran and the life...
The Worship of Baalim in Israel: Based Upon the Work of Dr. R. Dozy, 'the Israelites at Mecca' (Classic Reprint)
Manufacturer: Forgotten Books
Excerpt from The Worship of Baalim in Israel: Based Upon the Work of Dr. R. Dozy, 'the Israelites at Mecca'Human Sacrifice in Israel, pierson, On the Holy Stones in Israel, and' kuenen, On Baal Worship in Israel, - all written in Dutch, a language with which English scholars are not gene rally familiar, though some of the most valuable critical works of the present day, on the Old and New Testaments, are only to be read in Dutch originals. In the course of my own remarks, I have referred occasionally to the above-named writings. But I have felt that I should best serve the interests of Truth, in respect of the cause which I have at heart, and best satisfy the needs and, I trust, also the desires of English students, if I translated one or more of them, with additional notes, either confirming from my own point of view the positions of the writer, or else, where necessary, stating my reasons for dissenting from any of his conclusions.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Daughter of Fire: A Diary of a Spiritual Training with a Sufi Master
Manufacturer: The Golden Sufi Center
Tweedie documents her five-year process of purification and inner work with the heart in the "Naqshbandi" or "Golden Sufi" tradition: the daily doubts, agonies, discomforts, culture shocks, terrors, bodily states, uncertainties, and ecstasies along the path to truth.
West African ʿulamāʾ And Salafism in Mecca and Medina: Jawāb Al-Ifrῑqῑ - The Response of the African (Islam in Africa)
Chanfi Ahmed shows how West African ʿulamāʾ, who fled the European colonization of their region to settle in Mecca and Medina, helped the regime of King Ibn Sa'ud at its beginnings in the field of teaching and spreading the Salafῑ-Wahhabῑ's Islam both inside and outside Saudi Arabia. This is against the widespread idea of considering the spread of the Salafῑ-Wahhābῑ doctrine as being the work of ʿulamāʾ from Najd (Central Arabia) only. We learn here that the diffusion of this doctrine after 1926 was much more the work of ʿulamāʾ from other parts of the Muslim World who had already acquired this doctrine and spread it in their countries by teaching and publishing books related to it. In addition Chanfi Ahmed demonstrates that concerning Islamic reform and mission (daʿwa), Africans are not just consumers, but also thinkers and designers.
Mecca the Blessed, Medina the Radiant: The Holiest Cities of Islam
Manufacturer: Tuttle Publishing
Mecca the Blessed, Medina the Radiant is an unprecedented photographic exploration of the most holy cities of Islam and the hajj, or annual pilgrimage during Ramadan, when more than a million faithful journey to Mecca's Great Mosque to commemorate the first revelation of the Qur'an (Koran).This book allows both Muslims and those unfamiliar with the Islamic faith complete access to the holiest sites of one of the world's major religions, practiced by a quarter of the world's population but often misunderstood in the west.Photographer Ali Kazuyoshi Namachi, a Muslim convert from Japan, garnered the full support of Saudi Arabian authorities—rarely given—to shoot in cities where photography is strictly controlled and non-Muslims are not allowed.An expansive work of photojournalism, Mecca the Blessed, Medina the Radiant includes:140 full-color, never-before-seen photographsMystical places and scenes of IslamBreathtaking aerial photographs of the Arabian terrainVistas of teeming crowds of worshippers surrounding the Kacbah, Mecca's sacred centerIntense portraits of faithful Muslims in prayerMagnificent architecture reflecting the faith of the believersArchival illustrationsText by Seyyed Hossein Nasr, one of the most highly regarded scholars of Islam, enhances the stunning Islamic holy city photographs to illuminate many aspects of Islamic belief that have remained enigma to non-Muslims—until now. These photographs of the Muslim holy cities Mecca and Medina, taken by a Japanese convert, Ali Kazuyoshi Nomachi, are something new for most Westerners, and perhaps even for many Muslims. Non-Muslims are never allowed into Mecca, and it is almost unheard-of for religious and government leaders to allow such pictures to be taken. Most of these images were shot during the holy month of Ramadan, when many faithful are in Mecca and Medina on pilgrimage. Dr. Seyyed Hossein Nasr, professor of Islamic studies at George Washington University, has contributed an essay explaining the history and significance of the two cities. ...
El origen del Corán ha generado mucha controversia porque los especialistas islámicos parten de la presunción que el Corán es un texto incorrupto y divino, mientras que los especialistas laicos lo ven como un texto humano semejante a cualquier otro. Tales divergencias hacen que sea necesario conocer ambas versiones de la historia. El Corán reta a los lectores a que encuentren alguna contradicción o divergencias en él y les enfatiza que no la encontrarán, puesto que al suponerse de origen divino no debería haber contradicciones en él.
Manufacturer: Princeton University Press
Brand: Brand: Princeton University Press
"Henry Corbin's works are the best guide to the visionary tradition.... Corbin, like Scholem and Jonas, is remembered as a scholar of genius. He was uniquely equipped not only to recover Iranian Sufism for the West, but also to defend the principal Western traditions of esoteric spirituality."--From the introduction by Harold Bloom Ibn 'Arabi (1165-1240) was one of the great mystics of all time. Through the richness of his personal experience and the constructive power of his intellect, he made a unique contribution to Shi'ite Sufism. In this book, which features a powerful new preface by Harold Bloom, Henry Corbin brings us to the very core of this movement with a penetrating analysis of Ibn 'Arabi's life and doctrines. Corbin begins with a kind of spiritual topography of the twelfth century, emphasizing the differences between exoteric and esoteric forms of Islam. He also relates Islamic mysticism to mystical thought in the West. The remainder of the book is devoted to two complementary essays: on "Sympathy and Theosophy" and "Creative Imagination and Creative Prayer." A section of notes and appendices includes original translations of numerous Su fi treatises. Harold Bloom's preface links Sufi mysticism with Shakespeare's visionary dramas and high tragedies, such as The Tempest and Hamlet. These works, he writes, intermix the empirical world with a transcendent element. Bloom shows us that this Shakespearean cosmos is analogous to Corbin's "Imaginal Realm" of the Sufis, the place of soul or souls.
Previously published as The Essential Rumi, Rumi's Selected Poems is translated by Coleman Barks with John Moyne in Penguin Classics. Thirteenth-century Persian philosopher, mystic, scholar and founder of the order of the Whirling Dervishes, Jelaluddin Rumi was also a poet of transcendental power. His inspirational verse speaks with the universal voice of the human soul and brims with exuberant energy and passion. Rich in natural imagery from horses to fishes, flowers to birds and rivers to stars, the poems have an elemental force that has remained undiminished through the centuries. Their themes - tolerance, goodness, the experience of God, charity and awareness through love - still resonate with millions of readers around the world. Coleman Barks's vibrant translation conveys the directness and originality of Rumi's poetry. This edition is divided into thematic sections, each with an introduction, and includes a biographical essay on Rumi. Called 'Jelaluddin Rumi' by the Persians and Afghans, Rumi (1207-1273) was born in Balkh, Afghanistan, then part of the Persian Empire. He was the greatest mystical poet of Persia, famous for his didactic epic Masnavi-ye Ma'navi (Spiritual Couplets), a treasure-house of Sufi mysticism. If you enjoyed Selected Poems, you might like Kahlil Gibran's The Prophet, also available in Penguin Modern Classics. 'Coleman Barks has provided a version of Rumi that sparkles and never flags ...both and otherworldly' John Ryle, Guardian No translator could do greater justice to the gorgeous simplicity of Rumi's poetry than Coleman Barks has done here. These exquisite renderings of the 13th-century Persian mystic's words into American free verse capture all the "inner searching, the delicacy, and simple groundedness" that characterize Rumi's poetry while remaining faithful to the images, tone, and spiritual message of the originals. Barks's introductions to each of the 27 sections (described as "playful palimpsests spread over Rumi's imagination," and "meant to confuse scholars who would ...